The duo reflect on the end of their show and the future of comedy
Even in the age of SVOD, the country’s independent theatres have continued to thrive
The producer of Edge of the Knife discusses making the world’s first Haida-language feature film
Four years after #OscarsSoWhite, what progress has been made?
Advance theatrical runs for several of the streaming giant’s films signal a major shift in its release strategy
See-Saw Films executive Negin Salmasi explains how the independent landscape has evolved over the last decade
The filmmaker’s look at battle-rap culture is being praised as one of 2018’s best satires
Are podcasts primed to become the next major generator of Hollywood source material?
The director of Mudbound tells us how a Dr. Scholl's commercial shoot changed her life
The creator of Chef’s Table explains how he developed his signature style
Steven Markovitz, the producer of Rafiki, talks about how we can get more African films on the world stage
Kit Steinkellner takes us through her experience making Facebook Watch’s flagship series
One of the film industry’s rising stars speaks about how Korean cinema is giving him the richest roles of his career
The film’s director, Daniel Sawka, and activist Karine Jean-Pierre discuss using film to challenge Trump’s immigration policies
TIFF’s Documentary Programmer Thom Powers tries to explain the genre’s recent boom
Desiree Akhavan talks about her long and difficult journey to making The Miseducation of Cameron Post
The CEO of ScriptBook thinks that AI will soon be influencing which films get the green light
TIFF’s Director of Programming walks us through some of the films to look forward to this September
The director of Winter’s Bone and Leave No Trace breaks down her remarkable talent for spotting — and directing — the “next big thing”
One of the business’s most versatile performers walks us through his wide range of characters
Indonesian director Mouly Surya's Marlina the Murderer in Four Acts reimagines the spaghetti western
Animator Domee Shi tells us how she went from studying at Sheridan College to directing her first Pixar short in less than 10 years
Producer Adi Shankar challenges the public to solve The Simpsons’ Apu controversy
The director’s newest film puts a contemporary spin on Ray Bradbury’s novel Fahrenheit 451
The acclaimed indie filmmaker gives a crash course on his DIY philosophy
The celebrated filmmaker takes us through his career
The film has helped reignite the country’s long-stagnant gender identity bill
The iconic actor discusses how he got big by staying small
Producer J. Miles Dale explains what the win means to our national cinema
What can this year’s list of winners teach us about the direction of film?
The reigning godfather of science fiction walks us through his process
The film has sparked protests, attacks on the set, and threats to the cast
FiveThirtyEight.com proposes a revamped version to address Hollywood’s core inequalities
How Jeremy Podeswa went from Canadian indie darling to helming Game of Thrones and The Handmaid’s Tale
You know, besides Black Panther. But also: Black Panther.
How can programmers encourage their audiences to embrace new stories?
From "the next Terrence Malick" to stoner comedies to Stronger
Master of None's music supervisor on the songs that make the shows
How John Carroll Lynch came to direct Harry Dean Stanton's swan song
Charlotte Mickie lifts the veil on just what it is they do - and how it affects a changing industry
Indiewire's Anne Thompson on the streaming wars
A podcasting master on a filmmaking legend
How does the next generation get their films made?
The Baby Driver director thought he was going to "director jail" after Ant-Man
And what does "cinematic" mean when applied to television, anyway?
Tre'vell Anderson would like you to look at some receipts.
Will they or won't they? And what will you watch if they do?
Professors Stacy Smith and Katherine Pieper lay out the harsh realities of Hollywood sexism
The director and producer of The Boss Baby look to the future of animation
An interview with the founder and CEO of the Internet Movie Database, Col Needham
And what does this mean for the future of distribution?
Franklin Leonard, founder of The Black List, will make you want to immediately quit your job to become a screenwriter. Sorry.