The Black List’s Franklin Leonard walks us through what this year’s Festival says about the industry at large
One of the film industry’s rising stars speaks about how Korean cinema is giving him the richest roles of his career
The Festival’s Director reflects on his 24 years at the helm
TIFF’s Documentary Programmer Thom Powers tries to explain the genre’s recent boom
Here’s everything you need to know about one of the largest deals in entertainment history
The CEO of ScriptBook thinks that AI will soon be influencing which films get the green light
The screenwriter and director behind one of this year’s most original films tells how he went from veteran rapper to freshman filmmaker
The director of Winter’s Bone and Leave No Trace breaks down her remarkable talent for spotting — and directing — the “next big thing”
Ghost BFF creator and star Vanessa Matsui tells us why so many creators are choosing web series
Indonesian director Mouly Surya's Marlina the Murderer in Four Acts reimagines the spaghetti western
Director Sarah Burns tells us why she decided to stay in the family business
Producer Adi Shankar challenges the public to solve The Simpsons’ Apu controversy
The revolutionary company is making theatre-going more affordable than ever — but will this model survive?
The acclaimed indie filmmaker gives a crash course on his DIY philosophy
Filmmaker Andrew Haigh takes us inside his decision-making process
The film has helped reignite the country’s long-stagnant gender identity bill
The activist behind #OscarsSoWhite is launching a new site to help the industry hire creators of colour
Producer J. Miles Dale explains what the win means to our national cinema
The company has gone from new kid on the block to perennial Oscar favourite in just over five years
What can this year’s list of winners teach us about the direction of film?
One of Hollywood’s most lovable genres has fallen on hard times
Is the Park City slate a preview of what's to come in 2018?
FiveThirtyEight.com proposes a revamped version to address Hollywood’s core inequalities
You know, besides Black Panther. But also: Black Panther.
How can programmers encourage their audiences to embrace new stories?
From "the next Terrence Malick" to stoner comedies to Stronger
From Split to It, why audiences gave their money and their love to the horror genre this year
She's everything you like in everything you like
How John Carroll Lynch came to direct Harry Dean Stanton's swan song
"They're all characters that I've played. Including Jim Carrey."
Charlotte Mickie lifts the veil on just what it is they do - and how it affects a changing industry
Indiewire's Anne Thompson on the streaming wars
Stella Meghie is an industry rarity... And that's a problem
How does the next generation get their films made?
Chief Film Critic A.O. Scott breaks it down
The Baby Driver director thought he was going to "director jail" after Ant-Man
And what does "cinematic" mean when applied to television, anyway?
No Hollywood, some Netflix, and an uncertain future
Tre'vell Anderson would like you to look at some receipts.
“Satire becomes more valuable the more repressed people feel.”
The director and producer of The Boss Baby look to the future of animation
The lower the budget, the easier it is to take creative risks
And what does this mean for the future of distribution?