Announcing a new year-round series for Canadian film

TIFF is happy to announce a new screening series for Canadian film as part of the organization’s strategic focus on showcasing Canadian creators and talent. This new series will replace the Canada’s Top Ten Film Festival, which was held every January, by offering each feature film the opportunity to have a full theatrical run at TIFF Bell Lightbox throughout the year. Short films will screen at TIFF Bell Lightbox in the new year.

Feature Films

ANTHROPOCENE: The Human Epoch, dirs. Jennifer Baichwal, Nicholas de Pencier, Edward Burtynsky (Ontario)

Sgaawaay K'uuna (Edge of the Knife), dirs. Gwaai Edenshaw, Helen Haig-Brown (British Columbia)

Firecrackers, dir. Jasmin Mozaffari (Ontario)

The Fireflies Are Gone (La disparition des lucioles), dir. Sébastien Pilote (Quebec)

Freaks, dirs. Zach Lipovsky, Adam Stein (British Columbia)

Genèse (Genesis), dir. Philippe Lesage (Quebec)

Giant Little Ones, dir. Keith Behrman (Ontario)

MOUTHPIECE, dir. Patricia Rozema (Ontario)

Roads in February (Les routes en février), dir. Katherine Jerkovic (Quebec)

What Walaa Wants, dir. Christy Garland (Ontario)

Shorts: Programme 1

Paseo, dir. Matt Hannam (Ontario)

Veslemøy's Song, dir. Sofia Bohdanowicz (Ontario)

My Dead Dad's Porno Tapes, dir. Charlie Tyrell (Ontario)

The Subject (Le sujet), dir. Patrick Bouchard (Quebec)

Brotherhood (Ikhwène), dir. Meryam Joobeur (Quebec)

Shorts: Programme 2

Fauve, dir. Jérémy Comte (Quebec)

ALTIPLANO, dir. Malena Szlam (Quebec)

Accidence, dirs. Guy Maddin, Evan Johnson, Galen Johnson (Manitoba)

Biidaaban (The Dawn Comes), dir. Amanda Strong (British Columbia)

Little Waves (Les petites vagues), dir. Ariane Louis-Seize (Quebec)



See upcoming screenings

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Short Cuts Programmer, TIFF
\\r\\n

Jason Anderson is the co-programmer for Short Cuts at TIFF, and also serves as the director of programming for the Kingston Canadian Film Festival. He writes regularly about film for such publications as Cinema Scope, Sight & Sound, Uncut, the Toronto Star, and TIFF.net’s The Review, and has also served as a writer and consultant for Viceland’s VICE Guide to Film (16). 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Kerri Craddock joined TIFF in 2007 and is the Director of Programming for the Toronto International Film Festival. Craddock selects films from Western Europe, Turkey and the USA, and programmes for the Gala and Special Presentations sections, as well as supporting the Platform section. She regularly represents the organization at the Sundance, Berlin and Cannes film festivals, serves on juries for feature and documentary films, and speaks on industry panels. She served the Canada’s Top Ten Film Festival features panel in 2012, and on the National Ballet of Canada’s Turnout Cabinet from 2011 to 2014.\\r

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Kerri Craddock joined TIFF in 2007 and is the Director of Programming for the Toronto International Film Festival. Craddock selects films from Western Europe, Turkey and the USA, and programmes for the Gala and Special Presentations sections, as well as supporting the Platform section. She regularly represents the organization at the Sundance, Berlin and Cannes film festivals, serves on juries for feature and documentary films, and speaks on industry panels. She served the Canada’s Top Ten Film Festival features panel in 2012, and on the National Ballet of Canada’s Turnout Cabinet from 2011 to 2014.\\r

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Short Cuts Programmer, TIFF
\\r\\n

Jason Anderson is the co-programmer for Short Cuts at TIFF, and also serves as the director of programming for the Kingston Canadian Film Festival. He writes regularly about film for such publications as Cinema Scope, Sight & Sound, Uncut, the Toronto Star, and TIFF.net’s The Review, and has also served as a writer and consultant for Viceland’s VICE Guide to Film (16). He teaches film criticism and arts journalism at the University of Toronto and the Ryerson School of Journalism.\"}}],\"programmeShortTitle\":\"\",\"programmeDescription\":\"\",\"programmeKey\":\"\",\"seasonId\":\"Festival 2017\",\"rank\":null}}","{\"sys\":{\"space\":{\"sys\":{\"type\":\"Link\",\"linkType\":\"Space\",\"id\":\"22n7d68fswlw\"}},\"id\":\"AT80PS4683S6509PR596\",\"type\":\"Entry\",\"createdAt\":\"2017-11-14T16:50:08.526Z\",\"updatedAt\":\"2018-12-11T21:37:33.902Z\",\"environment\":{\"sys\":{\"id\":\"master\",\"type\":\"Link\",\"linkType\":\"Environment\"}},\"revision\":204,\"contentType\":{\"sys\":{\"type\":\"Link\",\"linkType\":\"ContentType\",\"id\":\"programme\"}},\"locale\":\"en-CA\"},\"fields\":{\"title\":\"Canada's Top Ten Film Festival 2018-Short Films\",\"arrangement\":\"Canada's Top Ten Film Festival\",\"season\":\"2018 Winter\",\"programmeSeries\":\"Short Films\",\"programmers\":[{\"sys\":{\"space\":{\"sys\":{\"type\":\"Link\",\"linkType\":\"Space\",\"id\":\"22n7d68fswlw\"}},\"id\":\"236\",\"type\":\"Entry\",\"createdAt\":\"2016-06-16T19:48:15.514Z\",\"updatedAt\":\"2018-08-22T18:26:39.381Z\",\"environment\":{\"sys\":{\"id\":\"master\",\"type\":\"Link\",\"linkType\":\"Environment\"}},\"revision\":1050,\"contentType\":{\"sys\":{\"type\":\"Link\",\"linkType\":\"ContentType\",\"id\":\"person\"}},\"locale\":\"en-CA\"},\"fields\":{\"displayName\":\"Steve Gravestock\",\"firstName\":\"Steve\",\"lastName\":\"Gravestock\",\"image\":{\"sys\":{\"space\":{\"sys\":{\"type\":\"Link\",\"linkType\":\"Space\",\"id\":\"22n7d68fswlw\"}},\"id\":\"1JOuabOEQ82Ma0aG8MWqKa\",\"type\":\"Asset\",\"createdAt\":\"2017-12-11T21:58:25.352Z\",\"updatedAt\":\"2017-12-11T21:58:25.352Z\",\"environment\":{\"sys\":{\"id\":\"master\",\"type\":\"Link\",\"linkType\":\"Environment\"}},\"revision\":1,\"locale\":\"en-CA\"},\"fields\":{\"title\":\"steve gravestock headshot\",\"file\":{\"url\":\"//images.ctfassets.net/22n7d68fswlw/1JOuabOEQ82Ma0aG8MWqKa/e86dcdeea785fbe2b42e1447a0716dd5/steve_gravestock_headshot.jpg\",\"details\":{\"size\":42160,\"image\":{\"width\":400,\"height\":400}},\"fileName\":\"steve gravestock headshot.jpg\",\"contentType\":\"image/jpeg\"}}},\"bio\":\"Steve Gravestock, Senior Programmer of Festival Programming at TIFF, is responsible for the organization’s Canadian programming initiatives, including the Canada's Top Ten Film Festival and the year-round Canadian Open Vault programme, which offers a free showcase of homegrown classics. As a programmer for the Toronto International Film Festival, Gravestock has selected Canadian features since 2004, and is also responsible for selections from the Philippines and the Nordic Region. Many of the films he has programmed have gone on to be nominated for Academy Awards, among them Petter Næss’ Elling, Mikael Hafstrom's Evil, Denis Villeneuve's Incendies, Philippe Falardeau's Monsieur Lazhar, and Susanne Bier’s In a Better World, which took home the Academy Award for Best Foreign Language Film in 2011.\\n \\nGravestock has written extensively on cinema for many publications including the Toronto Star, POV Magazine, Magazine, and Cinema Scope. His essay on Bruce McDonald was published in the anthology North of Everything, and his monograph Don Owen: Notes on a Filmmaker and His Culture was published by TIFF and distributed by Wilfred Laurier University Press and Indiana University Press in 2005. 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Kerri Craddock joined TIFF in 2007 and is the Director of Programming for the Toronto International Film Festival. Craddock selects films from Western Europe, Turkey and the USA, and programmes for the Gala and Special Presentations sections, as well as supporting the Platform section. She regularly represents the organization at the Sundance, Berlin and Cannes film festivals, serves on juries for feature and documentary films, and speaks on industry panels. She served the Canada’s Top Ten Film Festival features panel in 2012, and on the National Ballet of Canada’s Turnout Cabinet from 2011 to 2014.\\r

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Kerri Craddock joined TIFF in 2007 and is the Director of Programming for the Toronto International Film Festival. Craddock selects films from Western Europe, Turkey and the USA, and programmes for the Gala and Special Presentations sections, as well as supporting the Platform section. She regularly represents the organization at the Sundance, Berlin and Cannes film festivals, serves on juries for feature and documentary films, and speaks on industry panels. She served the Canada’s Top Ten Film Festival features panel in 2012, and on the National Ballet of Canada’s Turnout Cabinet from 2011 to 2014.\\r

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Kerri Craddock joined TIFF in 2007 and is the Director of Programming for the Toronto International Film Festival. Craddock selects films from Western Europe, Turkey and the USA, and programmes for the Gala and Special Presentations sections, as well as supporting the Platform section. She regularly represents the organization at the Sundance, Berlin and Cannes film festivals, serves on juries for feature and documentary films, and speaks on industry panels. She served the Canada’s Top Ten Film Festival features panel in 2012, and on the National Ballet of Canada’s Turnout Cabinet from 2011 to 2014.\\r

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Kerri Craddock joined TIFF in 2007 and is the Director of Programming for the Toronto International Film Festival. Craddock selects films from Western Europe, Turkey and the USA, and programmes for the Gala and Special Presentations sections, as well as supporting the Platform section. She regularly represents the organization at the Sundance, Berlin and Cannes film festivals, serves on juries for feature and documentary films, and speaks on industry panels. She served the Canada’s Top Ten Film Festival features panel in 2012, and on the National Ballet of Canada’s Turnout Cabinet from 2011 to 2014.\\r

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As a programmer for the Toronto International Film Festival, Gravestock has selected Canadian features since 2004, and is also responsible for selections from the Philippines and the Nordic Region. Many of the films he has programmed have gone on to be nominated for Academy Awards, among them Petter Næss’ Elling, Mikael Hafstrom's Evil, Denis Villeneuve's Incendies, Philippe Falardeau's Monsieur Lazhar, and Susanne Bier’s In a Better World, which took home the Academy Award for Best Foreign Language Film in 2011.\\n \\nGravestock has written extensively on cinema for many publications including the Toronto Star, POV Magazine, Magazine, and Cinema Scope. His essay on Bruce McDonald was published in the anthology North of Everything, and his monograph Don Owen: Notes on a Filmmaker and His Culture was published by TIFF and distributed by Wilfred Laurier University Press and Indiana University Press in 2005. 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Kerri Craddock joined TIFF in 2007 and is the Director of Programming for the Toronto International Film Festival. Craddock selects films from Western Europe, Turkey and the USA, and programmes for the Gala and Special Presentations sections, as well as supporting the Platform section. She regularly represents the organization at the Sundance, Berlin and Cannes film festivals, serves on juries for feature and documentary films, and speaks on industry panels. She served the Canada’s Top Ten Film Festival features panel in 2012, and on the National Ballet of Canada’s Turnout Cabinet from 2011 to 2014.\\r

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