A long-standing tradition at TIFF, the People’s Choice Awards are marking their 48th year. The People’s Choice Award is an Oscars bellwether with a rich history; past winners include Chariots of Fire, The Princess Bride, Slumdog Millionaire; and most recently, Mike Flanagan’s The Life of Chuck. All feature films and series in TIFF’s Official Selection are eligible. The winners of the People’s Choice Awards will be announced on Sunday, September 14, 2025. The four audience-voted awards are the People’s Choice Award, the People’s Choice Documentary Award, the People’s Choice Midnight Madness Award and, new this year, the International People’s Choice Award.
Second runner-up
You Had to Be There: How the Toronto Godspell Ignited the Comedy Revolution...
dir. Nick Davis
Named after Jia Zhang-Ke’s groundbreaking film, Platform spotlights films with high artistic merit and strong directorial vision. All films in the Platform programme are eligible for this award, which will be selected by an international jury. The winning filmmaker will receive a $20,000 CAD cash prize.
Carlos Marqués-Marcet is a writer, director and editor from Barcelona. He has co-written and directed the films 10.000KM (2014), Anchor and Hope (2017), The Days to Come (2019) and his latest film They Will Be Dust, winner of the Platform Award at TIFF ’24. He has also been directing for several projects for platforms such as HBO and Atresmedia.
Photography: Lluis Tudela
Marianne Jean-Baptiste is an Oscar-nominated actor, writer, composer, and director. Known for her acclaimed performance in Secrets & Lies (1996), she recently reunited with Mike Leigh for Hard Truths (TIFF ’24), earning major critic awards. Television credits include Without a Trace, Surface, Soundtrack, Homecoming, Blindspot, and Broadchurch. Film credits include Rumble Through the Dark, Boxing Day, In Fabric, Training Day, RoboCop, and 28 Days.
Chloé Robichaud is a Québec-based filmmaker and screenwriter who first gained recognition with Herd Leader (Canada’s Top Ten, TIFF ’12) and Sarah Prefers to Run (TIFF ’13). Further work showcased at the Festival includes Boundaries (TIFF ’16), Days of Happiness (TIFF ’23), and Delphine (TIFF ’19), which won the Short Cuts Award for Best Canadian Short Film. Her latest feature, Two Women, received the 2025 Special Jury Award at Sundance.
Photography: Alexis GR
TIFF continues to celebrate the unique craft and storytelling within Canadian cinema with the Best Canadian Feature Film Award. All Canadian feature films in Official Selection — excluding first or second features — will be considered for the award. The winning filmmaker will receive a $10,000 CAD cash prize.
The Best Canadian Discovery Award celebrates works of emerging filmmakers who contribute to enriching the Canadian film landscape. All Canadian first or second feature films in Official Selection are eligible for this award. The winning filmmaker will receive a $10,000 CAD cash prize.
Jennifer Baichwal has been directing and producing documentaries for nearly three decades. Among other films, installations and lens-based projects, she has made 10 feature documentaries which have played all over the world and won awards nationally and internationally.
R.T. Thorne is a prolific triple threat director, screenwriter and producer. His work in television has garnered multiple Canadian Screen Awards and an Emmy nomination. His critically acclaimed debut feature 40 Acres, starring Danielle Deadwyler, premiered at TIFF ’24 and was named to Canada’s Top Ten. 40 Acres was released theatrically across Canada and the US in the summer of 2025.
Sophie Jarvis is a Swiss-Canadian filmmaker whose feature debut Until Branches Bend (TIFF ’22, SXSW ’23, Locarno ‘23) won the Prix de Soleure at the Solothurner Filmtage, the Netflix Breakthrough Award at the Athena Film Festival, and Best BC Film at VIFF. It also received a CSA nomination for Best Original Screenplay in 2023.
Photography: Brian Van Wyk
Films in the Short Cuts programme are eligible for three jury-selected Short Cuts Awards: Best International Short Film, Best Canadian Short Film, and new this year, Best Animated Short Film. These awards provide each winner with a bursary of $10,000 CAD to help them continue achieving success in their careers.
2025 Short Cuts Award:
Best Canadian Short Film
dirs. Chris Lavis, Maciek Szczerbowski
Ashley Iris Gill is a rising cinematographer whose intimate, emotive style shapes acclaimed works like the Canadian Screen Award winner Black Community Mixtapes, Sundance’s Thriving, and Scaring Women At Night (TIFF Short Cuts ’22). She has collaborated with many brands including Nike, Mercedes, and BMO, while also passionately advocating for BIPOC and 2SLGBTQ+ communities in film.
Connor Jessup is a Canadian actor, writer, and director, best known for his leading roles in Netflix’s Locke & Key, ABC’s American Crime, and the independent film Closet Monster (Best Canadian Feature Film, TIFF ’15). As a filmmaker, Jessup’s short films have screened at the Festival as well as the Berlinale, Clermont-Ferrand, Palm Springs, FNC, and many other festivals.
Marcel Jean has been the Artistic Director of the Annecy International Animation Film Festival since 2012 and the Executive Director of the Cinémathèque québécoise since 2015. He is the author of several books on animation and Canadian cinema, and from 1999 to 2005 he was an executive producer at the NFB French program animation studio.
Presented by the Network for the Promotion of Asian Pacific Cinema, the NETPAC Award recognizes films specifically from the Asian and Pacific regions. The jury consists of three international community members selected by TIFF and NETPAC, who award the prize to the best Asian film by a first- or second-time feature director.
Born in Laos, Keoprasith Souvannavong is a French journalist based in Paris. He has worked since 1993 for Radio France Internationale, for which he has covered various international film festivals. He also acted in the feature film The Scent of Green Papaya, which received the Caméra d’Or award at the Cannes Film Festival, and was nominated for an Academy Awards.
Dina Iordanova is professor of global cinema, an expert in transnational film festivals. She is the author of Film Festivals in East Asia, has been a visiting professor at the University of Hong Kong and Beijing Film Academy, has given masterclasses and served on juries of festivals across Asia, including Busan International Film Festival, and Yamagata International Documentary Film Festival.
Helen Lee is a Seoul-born, Toronto-based filmmaker. Her TIFF-premiered films include: Tenderness (2024); Hers At Last (2018); The Art of Woo (2001); Subrosa (2000); Prey (1995); My Niagara (1992, Special Jury Citation); and Sally’s Beauty Spot (1990, Honourable Mention, Best Canadian Short).
The FIPRESCI Prize is presented by an international jury selected by the International Federation of Film Critics. Founded in 1925, the Federation is an organization of professional film critics and film journalists for the promotion and development of film culture and the safeguarding of professional interests. The Federation awards the prize at international film festivals and film festivals of particular importance to promote film art and to encourage new and young cinema.
Andy Hazel is a film journalist based in Melbourne, Australia where he is also the senior editorial producer at The Saturday Paper. Andy is a regular contributor to IndieWire, Guardian Australia, The Curb, and A Rabbit's Foot. He is also a voting member of the Golden Globes and host of Twin Peaks The Return: A Season Three Podcast.
Francisco Ferreira is a journalist and film critic born in Lisbon. His collaborations have appeared in a number of books, texts published by film festival catalogues, and international film magazines such as Cahiers du Cinéma (France), Film Comment (USA), Cinema Scope (Canada), and Caiman Cuadernos de Cine (Spain). He has been working as a film critic for Portuguese press since 1998.
A film journalist since 1982 and member of the French Union of Film Critics, Jean-Philippe Guerand has contributed to French publications such as Première, Le Film Français, TéléCinéObs, and L’Avant-Scène Cinéma. Host of the blog Persona Grata, he has also written biographies of Woody Allen, Cyril Collard, James Dean, Jacques Tati, Bernard Blier, and Jean Rochefort.
Justine Smith is the screen editor at Cult MTL and the programmer of the Underground Section at the Fantasia International Film Festival. She’s written for BFI, Little White Lies, Vinegar Syndrome, and Ebert Voices. She is currently working on her first book.
Katharina Dockhorn studied history and cultural studies at Humboldt University in Berlin. Since 1993, she has been working as a freelance journalist for television stations, daily newspapers, monthly magazines, and trade papers. Her areas of expertise include film policy and the film industry. She was one of the founding members of the Professional Association of German Media Journalists, of which she is a board member.