The world of Mozart is beautifully re-imagined in this elegant and at times rollicking retelling of the story behind the creation of one of his operatic masterpieces, Don Giovanni. Although there are songs and theatrics in the film, this is not a simple restaging of the opera. Instead, director Carlos Saura dares to probe into the creative origins of Mozart's work, and emerges with a backstage tale that is full of both drama and the excesses of opera itself. There is love and certainly jealousy, in addition to scheming divas, court composers, faithful wives and ethereal young things. Central to the story is not the great composer but his overlooked librettist, who used all this raw material as artistic inspiration. The fascinating and great Lorenzo Da Ponte penned Mozart's finest operas, including Cosi fan tutte, The Marriage of Figaro and their final collaboration, one of the jewels of the repertoire, Don Giovanni.
Lorenzo Da Ponte's life was the stuff of opera itself. Forced to convert from his Jewish faith to Christianity for the sake of a good marriage, he was trained as a priest, then took a mistress and fathered a child. Reprimanded by the authorities, he opened a brothel, which led to his banishment from Venice. Relocating to Vienna, he soon fell into the court, where the emperor, a lover of opera, paired him with Mozart. Inspired by Giacomo Casanova's exploits, Da Ponte persuaded Mozart that the adventurer should be the subject of his next opera.
All Da Ponte had to do was look around him, and his characters were born. In addition to being pursued by a beautiful ingenue, he was simultaneously balancing the egos of his two divas of the moment – one the lover of the court composer Salieri, the other his own mistress. By listening to the ministrations of Casanova himself and keeping Mozart inspired, Da Ponte achieved the miraculous invention of Don Giovanni the opera. Now, thanks to stunning photography by the great Italian cinematographer Vittorio Storaro (Apocalypse Now, The Last Emperor), the cities of Venice and Vienna come alive – as does the operatic stage. All this makes I, Don Giovanni a formidable celebration of the creative spirit.
Carlos Saura was born in Huesca, Spain. His prolific cinematic output comprises over forty acclaimed feature films and shorts, many of which he also wrote, and he has garnered numerous prestigious awards at festivals worldwide. His feature films include
Weeping for a Bandit (64),
The Garden of Delights (70),
Cousin Angelica (74),
Cría Cuervos (76),
Faster, Faster (81),
Carmen (83),
El Dorado (88),
The Dark Night (89),
Flamenco (95),
Tango (98),
Goya in Bordeaux (00),
Salomé (02),
Fados (07) and
I, Don Giovanni (09).