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Video

#SeeTheNorth While You Eat: Lunchtime Shorts

Catch a brilliant Canadian film. Chow down.

Jan 13, 2017
Video

#SeeTheNorth: Canada's Top Ten Film Festival is here!

Come out and see the best of Canadian cinema

Dec 6, 2016
News

Canada’s Top Ten Film Festival Celebrates Homegrown Talent

See the north

Dec 7, 2016
Feature

Maliglutit Remakes the Western in its Own Image

When killing and retribution are not in vain

Jan 13, 2017
Interview

The Werewolves and The Destroyers

A conversation between Canadian filmmakers Ashley McKenzie and Kevan Funk

Jan 13, 2017
Interview

A Conversation Between Anne Émond And Chloé Robichaud

The two accomplished Québécois directors go head-to-head

Sep 9, 2016
Interview

Video Flow: Director X

An x-trospective on the acclaimed Canadian music video director's greatest hits

Jan 19, 2017

Features

Angry Inuk
Hello Destroyer
It's Only the End of the World
Maliglutit (Searchers)
Mean Dreams
Nelly
Old Stone (Lao shi)
Those Who Make Revolution Halfway Only Dig Their Own Graves
Werewolf
Window Horses (The Poetic Persian Epiphany of Rosie Ming)

Shorts

Canada's Top Ten Shorts Programme 1
Canada's Top Ten Shorts Programme 2
Canada's Top Ten Student Shorts Programme

Events

In Conversation With...Zacharias Kunuk
In Conversation With...Director X
Higher Learning: Breaking Free - Stories of Isolation and Struggle

Canada on Screen

This year’s Canada’s Top Ten Film Festival will include a number of classic Canadian titles as part of TIFF’s year-long programme celebrating Canada’s 150th birthday—and its and rich cinematic heritage.

Cette année, le Festival de Film Canada’s Top Ten inclura un grand nombre de classiquesmdu cinéma canadien dans le cadre de ce programme qui se déroulera tout au long de l’annéenet qui célèbrera le 150e anniversaire de la naissance du Canada – et son formidable héritage cinématographique.

Learn More / En Savoir Plus

Tickets on sale December 14 at 10am.

TIFF Member pre-sale on now!

Prices
All film screenings + shorts programmes:
$14 adult ($11.50 student/senior)
6ix Pack:
$70 (tickets to 6 films for the price of 5)

All prices include taxes and fees

About The Festival

Established by TIFF in 2001, the Canada’s Top Ten Film Festival celebrates and promotes contemporary Canadian cinema and raises awareness of Canadian achievements in film. From January 13 to 26, the festival will present screenings of each selected film, and offer related industry programming and learning sessions in Toronto. Selected films may also be included in a cross-Canada tour and screened at TIFF’s partner locations.

In order to be eligible for the 16th annual Canada's Top Ten Film Festival, selections must be directed by a Canadian citizen or resident, must include Canada as an official country of production, and must have received commercial release or played a major film festival in Canada in 2016. The feature and short-film selections are each chosen by a panel of filmmakers and industry professionals from across Canada.

Selected films will be publicly announced in early December 2016.

Going National

The Canada’s Top Ten Film Festival tours major cities across the country, and we are thrilled to have new and long-time partners showcase the country’s talented filmmaking voices. Several of these locations will also host screenings from TIFF's Canada on Screen series, all of which are free of charge. We thank all of our partners for their commitment to the Canada’s Top Ten programme!

See the best Canadian features, shorts, and student shorts at the following partner locations:

VANCOUVER
January 13–22, 2017
CALGARY
January 13–22, 2017
MONTREAL
January 14–31, 2017
REGINA
January 19–22, 2017
EDMONTON
January 20–29, 2017
SASKATOON
Paved Arts – in collaboration with the Roxy Theatre
January 26, 2017
WINNIPEG
Winnipeg Film Group Cinematheque
March 2017
OTTAWA
April 27-30, 2017
HALIFAX
Atlantic Film Festival & Art Gallery of Nova Scotia – at the Windsor Foundation Lecture Theatre
May 1–8, 2017

Awards

Canada’s Top Ten Film Festival People’s Choice Award

The People’s Choice Award goes to Angry Inuk, directed by Alethea Arnaquq-Baril.

Seal hunting, a critical part of Inuit life, has been controversial for a long time. Now, a new generation of Inuit, armed with social media and their own sense of humour and justice, are challenging the anti-sealing groups and bringing their own voices into the conversation. Director Alethea Arnaquq-Baril (Sol) joins her fellow Inuit activists as they challenge outdated perceptions of Inuit and present themselves to the world as a modern people in dire need of a sustainable economy.

Commenting on winning the People’s Choice Award, director Alethea Arnaquq-Baril said, “I want to say thank you to everyone who came out and saw Angry Inuk and was willing to open their hearts and minds to a perspective that they have not seen before. We are heading into our European and American premieres in the next couple of weeks so this is wonderful news to receive.”

Watch Alethea’s full acceptance speech below:

Feature Film Panelists

Olena Decock

Olena Decock is Outreach Coordinator for REEL Canada and programs screenings across the country for the upcoming National Canadian Film Day (April 19, 2017). She is also a Programming Associate for the Toronto International Film Festival, where she screens cinema from the Middle East and Africa. Originally from Toronto, Olena received her MA in communication from the University of Ottawa, with a focus on diaspora in Canadian cinema.

Luc Déry

Luc Déry is a Canadian producer and founder of micro_scope. He has produced or co-produced numerous films, including A Problem with Fear (03), Tiresia (03), Familia (05), Congorama (06), Continental, un film sans fusil (07), C’est pas moi, je le jure! (08), Denis Villeneuve’s Academy Award nominated Incendies (10), and Philippe Falardeau’s Monsieur Lazhar (11). His recent productions include Philippe Falardeau’s Guibord s’en va-t-en guerre (15) and André Turpin’s Endorphine (15).

Judy Gladstone

Judy Gladstone is CEO of a bilingual SVOD founded by the Coalition of Canadian Independent Media Arts Distributors. She has run a Canadian International Development Agency program in Gaza, the West Bank, and Israel, served as Cultural Attaché at the Embassy of Canada in Israel/Palestinian Territories, and for 15 years was the Executive Director of Bravo!FACT (Foundation to Assist Canadian Talent).

Pete Harris

Pete Harris has been in the programming and exhibition game for close to 20 years, working mainly in British Columbia and Alberta. He is a huge fan of all things Canadian: oceans, mountains, lakes, highways, people, five seasons, long weekends, music, and, of course, cinema.

Anne Mackenzie

Anne Mackenzie was managing director of TIFF during its first 11 years, after which she worked as associate director of the Canadian Film Centre and was a senior creative analyst at Telefilm Canada. She is now a script and book editor, and a creative consultant and associate producer on feature films. Her dream of one day running a cooking show remains firmly on the back burner.

Babak Payami

Babak Payami was born in Tehran, and later moved to Canada, where he became a citizen and studied at the University of Toronto. His debut feature, One More Day (00), premiered at Berlin and won the Best Artistic Contribution award at Tokyo. His other features include Secret Ballot (01), which won the Silver Lion at Venice and made its North American premiere at TIFF; Silence Between Two Thoughts (03), which screened at TIFF; Iqbal, the Story of a Fearless Child (15), co-directed with Michel Fuzellier; and Manhattan Undying (16).

Sudz Sutherland

Sudz Sutherland is a Toronto-based writer and director. His debut feature, Love, Sex and Eating the Bones (03), won Best First Feature at TIFF. He wrote and directed the Gemini Award–winning Doomstown (06), and the CBC miniseries Guns (09), which won five Geminis including Best Writing and Directing. His latest feature film, Home Again (12), won the Pan African Film Festival/BAFTA Choice Award in Los Angeles. Sudz recently co-created the CBC series Shoot the Messenger (16) with writer-producer Jennifer Holness.

Student Shorts Prizes

The Canada’s Top Ten Film Festival spotlights student shorts in its annual lineup, presenting the top student shorts from colleges and universities across the country. In a ceremony held on January 14, 2017 at TIFF Bell Lightbox, prizes were awarded to student films in the live action and animation categories.

Best Live Action Student Short The winner of the Best Live Action Student Film award is Les Beiges, directed by Étienne Lacelle (Concordia University).

Shifting between striking close-ups, intimate details, and cars spinning around a race track, Les Beiges delicately captures the world occupied by a group of car enthusiasts in St-Eustache, Québec.

The award comes with:

  • 2017 Toronto International Film Festival Industry Pass
  • 2 tickets to the Directors Guild of Canada Awards
  • $1,000 courtesy of the Directors Guild of Canada
  • A DCP output of the film courtesy of Technicolor
  • A rental grant worth $6,000 provided by William F. White International Inc.

Runner-up for Best Live Action Student Short The Land of Nod, directed by Ivan Ramin Radnik (Humber College).

The drama portrays a young man tormented by classmates, haunted by the dead, and consumed by the question of whether he is anything like his violent absent father.

The Runner-up prize award comes with:

  • A rental grant worth $3,500 provided by William F. White International Inc.

Best Animated Student Short

The prize for Best Animated Student Film goes to Feathers, directed by Sarah Kieley (Sheridan College).

Beautifully captured through vibrant stop-motion animation, Feathers is a story of love and acceptance in which a mother and daughter struggle to cope with an unusual change.

The award comes with:

  • 2017 Toronto International Film Festival Industry Pass
  • 2 tickets to the Directors Guild of Canada Awards
  • $1,000 courtesy of Directors Guild of Canada
  • A DCP output of the film courtesy of Technicolor

Short Film Panelists

Stacey Donen

Stacey Donen programmed Canadian cinema at the Toronto International Film Festival for eight years and was the original programme coordinator for Canada’s Top Ten. He has worked as Director of Programming for The Royal Cinema in Toronto, a programmer for Reel Canada, and Artistic Director of the Whistler Film Festival. In 2012 he joined with director Ingrid Veninger to launch 1KWAVE, producing five features films made for $1000 each.

Danis Goulet

Danis Goulet is a Cree/Metis writer and director. Her short films have screened at festivals around the world, including Sundance, the Toronto International Film Festival, the Berlin International Film Festival, imagineNATIVE, and Aspen Shortsfest. In 2014, her film Wakening won the Outstanding Canadian Short Film Award at the ReelWorld Film Festival and in 2013, her film Barefoot received a special mention at the Berlin International Film Festival. Her work has been broadcast on ARTE, CBC, Air Canada, and Movieola. She programs for TIFF's Short Cuts section and is the former Artistic Director of the imagineNATIVE Film + Media Arts Festival. She has curated award-winning projects and developed initiatives for the Ontario Arts Council, and has served on the boards of the Toronto Arts Council and the Images Festival. She is an alumna of the National Screen Institute’s Drama Prize Program and the TIFF Talent Lab.

Ashley McKenzie

Ashley McKenzie lives on Cape Breton Island on the Eastern coast of Canada. Her debut feature, Werewolf, screened at TIFF ‘16 and Berlinale, won the Grand Prix Focus QC/Canada at Festival du nouveau cinema, and was included in the Canada’s Top Ten Film Festival. McKenzie is the latest recipient of the Jay Scott Prize, which recognizes an emerging talent who is positively affecting the direction of Canadian cinema. Her short film work includes Rhonda’s Party (10), When You Sleep (12), Stray (13), and 4 Quarters (15).

Blaine Thurier

Blaine Thurier is both a veteran feature filmmaker and keyboardist for Juno Award–winning band The New Pornographers. His work has appeared at TIFF and his first feature, Low Self-Esteem Girl (00), won Best Narrative Feature at SXSW. Thurier is currently hard at work on his fifth feature while The New Pornographers continue to record and tour. He lives in Vancouver with his wife and children.

Ben Williams

Ben Williams is the Production Centre Director for the Winnipeg Film Group (WFG), supporting independent directors in Manitoba. For the past two years he has served as one of the WFG’s artistic, development, and operational leaders. Ben has a BA (Magna Cum Laude) in Advertising Graphics from Central State University in Ohio, and studied digital filmmaking at the New York Film Academy in Manhattan. For over 15 years he has worked in digital media studios in NYC, Chicago, and Shanghai, and has freelanced as a video editor in the US and Canada. He can also be counted among the first generation of pioneering independent digital media producers to emerge in the social media community.

Canada’s Top Ten Industry Forum

Friday, January 13

New this year, TIFF introduces Industry Forum, a full-day of programming tailored exclusively for film professionals. The day kicks off with a special edition of Breakfast at TIFF, anchored by a keynote address from Artistic Director Cameron Bailey that will examine the state of diversity in the Canadian screen industry. The Forum also features five sessions celebrating the standout Canadian creators, craftspeople and performers working in film and television, covering a range of topics that will include the new generation of television comedy, an exploration of activist filmmaking, a conversation with documentary visionaries, and a spotlight on cinematographers and production designers.

See the Full Programme and Buy Tickets

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festival-archive
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TIFF\\r\\n
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How appropriate that this venture should happen during the Canadian Sesquicentennial, in\\nlight of what 1967's Centennial did to awaken us to our own identity. Canada’s moving-image heritage —\\nfeatures, shorts, documentaries, animation, television, experimental works, music videos, commercials,\\nand moving-image installations — is known only partially to all of us, but we have made some of the world’s\\nmost important films in all of these areas. This programme of the Essential 150 will allow us to showcase\\nthe best films in a country-wide celebration throughout 2017. Enjoy — and discover!\\n\\n

Piers Handling,\\n
Director & CEO, TIFF\\n\\n

Canada on Screen est la rétrospective la plus ambitieuse jamais programmée. Elle permet de mettre\\nen lumière l’héritage cinématographique canadien, et c’est une grande première dans notre pays. Le\\ncontexte est d’ailleurs idéal ! Nous n’aurions en effet pas pu trouver meilleur moment que celui du 150e\\nanniversaire du Canada pour célébrer l’héritage du cinéma canadien, en prenant pour exemple les commémorations\\ndu centenaire de 1967 qui ont permis de donner une nouvelle dimension à notre identité.\\nDe l’héritage laissé par le cinéma canadien, que ce soit en matière de longs-métrages, de courts-métrages,\\nde documentaires, de films d’animation, de télévision, d’oeuvres expérimentales, de clips vidéos, de publicités\\nou encore d’installations cinématographique, nous ne connaissons finalement qu’une petite partie\\nd’un tout beaucoup plus vaste. Nous avons en effet réalisé quelques-uns des plus grands films dans\\nchacune de ces catégories. Ce programme des « 150 films Essentiels » nous permettra également de\\ndiffuser les plus grandes oeuvres dans l’ensemble du Canada pendant toute l’année 2017. Bonnes séances\\net bonnes découvertes à toutes et à tous !\\n\\n

— Piers Handling,\\n
Directeur et président du TIFF
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\\r\\nKathleen McInnis specializes in developing unique business strategies for world cinema filmmakers on the film festival circuit. Under the banner of her film publicity & festival strategies consulting company, See–Through Films, LLC, McInnis and her team represent world cinema films at festivals worldwide such as Sundance, Berlin, Karlovy Vary, and Toronto. McInnis is also a Short Cuts Programmer at Toronto International Film Festival, and Director of Programming at Aspen ShortFest. McInnis has previously been the Festival Director at Palm Springs ShortFest, Festival Director at Slamdance Film Festival, and Lead Programmer/Director of Industry Programming at Seattle International Film Festival. McInnis has served on film festival juries and panels worldwide, as well as a mentor for International Film Festival Rotterdam's CineMart, and an industry participant at Berlinale Talents.

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How appropriate that this venture should happen during the Canadian Sesquicentennial, in\\nlight of what 1967's Centennial did to awaken us to our own identity. Canada’s moving-image heritage —\\nfeatures, shorts, documentaries, animation, television, experimental works, music videos, commercials,\\nand moving-image installations — is known only partially to all of us, but we have made some of the world’s\\nmost important films in all of these areas. This programme of the Essential 150 will allow us to showcase\\nthe best films in a country-wide celebration throughout 2017. Enjoy — and discover!\\n\\n

Piers Handling,\\n
Director & CEO, TIFF\\n\\n

Canada on Screen est la rétrospective la plus ambitieuse jamais programmée. Elle permet de mettre\\nen lumière l’héritage cinématographique canadien, et c’est une grande première dans notre pays. Le\\ncontexte est d’ailleurs idéal ! Nous n’aurions en effet pas pu trouver meilleur moment que celui du 150e\\nanniversaire du Canada pour célébrer l’héritage du cinéma canadien, en prenant pour exemple les commémorations\\ndu centenaire de 1967 qui ont permis de donner une nouvelle dimension à notre identité.\\nDe l’héritage laissé par le cinéma canadien, que ce soit en matière de longs-métrages, de courts-métrages,\\nde documentaires, de films d’animation, de télévision, d’oeuvres expérimentales, de clips vidéos, de publicités\\nou encore d’installations cinématographique, nous ne connaissons finalement qu’une petite partie\\nd’un tout beaucoup plus vaste. Nous avons en effet réalisé quelques-uns des plus grands films dans\\nchacune de ces catégories. Ce programme des « 150 films Essentiels » nous permettra également de\\ndiffuser les plus grandes oeuvres dans l’ensemble du Canada pendant toute l’année 2017. Bonnes séances\\net bonnes découvertes à toutes et à tous !\\n\\n

— Piers Handling,\\n
Directeur et président du TIFF
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How appropriate that this venture should happen during the Canadian Sesquicentennial, in\\nlight of what 1967's Centennial did to awaken us to our own identity. Canada’s moving-image heritage —\\nfeatures, shorts, documentaries, animation, television, experimental works, music videos, commercials,\\nand moving-image installations — is known only partially to all of us, but we have made some of the world’s\\nmost important films in all of these areas. This programme of the Essential 150 will allow us to showcase\\nthe best films in a country-wide celebration throughout 2017. Enjoy — and discover!\\n\\n

Piers Handling,\\n
Director & CEO, TIFF\\n\\n

Canada on Screen est la rétrospective la plus ambitieuse jamais programmée. Elle permet de mettre\\nen lumière l’héritage cinématographique canadien, et c’est une grande première dans notre pays. Le\\ncontexte est d’ailleurs idéal ! Nous n’aurions en effet pas pu trouver meilleur moment que celui du 150e\\nanniversaire du Canada pour célébrer l’héritage du cinéma canadien, en prenant pour exemple les commémorations\\ndu centenaire de 1967 qui ont permis de donner une nouvelle dimension à notre identité.\\nDe l’héritage laissé par le cinéma canadien, que ce soit en matière de longs-métrages, de courts-métrages,\\nde documentaires, de films d’animation, de télévision, d’oeuvres expérimentales, de clips vidéos, de publicités\\nou encore d’installations cinématographique, nous ne connaissons finalement qu’une petite partie\\nd’un tout beaucoup plus vaste. Nous avons en effet réalisé quelques-uns des plus grands films dans\\nchacune de ces catégories. Ce programme des « 150 films Essentiels » nous permettra également de\\ndiffuser les plus grandes oeuvres dans l’ensemble du Canada pendant toute l’année 2017. Bonnes séances\\net bonnes découvertes à toutes et à tous !\\n\\n

— Piers Handling,\\n
Directeur et président du TIFF
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How appropriate that this venture should happen during the Canadian Sesquicentennial, in\\nlight of what 1967's Centennial did to awaken us to our own identity. Canada’s moving-image heritage —\\nfeatures, shorts, documentaries, animation, television, experimental works, music videos, commercials,\\nand moving-image installations — is known only partially to all of us, but we have made some of the world’s\\nmost important films in all of these areas. This programme of the Essential 150 will allow us to showcase\\nthe best films in a country-wide celebration throughout 2017. Enjoy — and discover!\\n\\n

Piers Handling,\\n
Director & CEO, TIFF\\n\\n

Canada on Screen est la rétrospective la plus ambitieuse jamais programmée. Elle permet de mettre\\nen lumière l’héritage cinématographique canadien, et c’est une grande première dans notre pays. Le\\ncontexte est d’ailleurs idéal ! Nous n’aurions en effet pas pu trouver meilleur moment que celui du 150e\\nanniversaire du Canada pour célébrer l’héritage du cinéma canadien, en prenant pour exemple les commémorations\\ndu centenaire de 1967 qui ont permis de donner une nouvelle dimension à notre identité.\\nDe l’héritage laissé par le cinéma canadien, que ce soit en matière de longs-métrages, de courts-métrages,\\nde documentaires, de films d’animation, de télévision, d’oeuvres expérimentales, de clips vidéos, de publicités\\nou encore d’installations cinématographique, nous ne connaissons finalement qu’une petite partie\\nd’un tout beaucoup plus vaste. Nous avons en effet réalisé quelques-uns des plus grands films dans\\nchacune de ces catégories. Ce programme des « 150 films Essentiels » nous permettra également de\\ndiffuser les plus grandes oeuvres dans l’ensemble du Canada pendant toute l’année 2017. Bonnes séances\\net bonnes découvertes à toutes et à tous !\\n\\n

— Piers Handling,\\n
Directeur et président du TIFF
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How appropriate that this venture should happen during the Canadian Sesquicentennial, in\\nlight of what 1967's Centennial did to awaken us to our own identity. Canada’s moving-image heritage —\\nfeatures, shorts, documentaries, animation, television, experimental works, music videos, commercials,\\nand moving-image installations — is known only partially to all of us, but we have made some of the world’s\\nmost important films in all of these areas. This programme of the Essential 150 will allow us to showcase\\nthe best films in a country-wide celebration throughout 2017. Enjoy — and discover!\\n\\n

Piers Handling,\\n
Director & CEO, TIFF\\n\\n

Canada on Screen est la rétrospective la plus ambitieuse jamais programmée. Elle permet de mettre\\nen lumière l’héritage cinématographique canadien, et c’est une grande première dans notre pays. Le\\ncontexte est d’ailleurs idéal ! Nous n’aurions en effet pas pu trouver meilleur moment que celui du 150e\\nanniversaire du Canada pour célébrer l’héritage du cinéma canadien, en prenant pour exemple les commémorations\\ndu centenaire de 1967 qui ont permis de donner une nouvelle dimension à notre identité.\\nDe l’héritage laissé par le cinéma canadien, que ce soit en matière de longs-métrages, de courts-métrages,\\nde documentaires, de films d’animation, de télévision, d’oeuvres expérimentales, de clips vidéos, de publicités\\nou encore d’installations cinématographique, nous ne connaissons finalement qu’une petite partie\\nd’un tout beaucoup plus vaste. Nous avons en effet réalisé quelques-uns des plus grands films dans\\nchacune de ces catégories. Ce programme des « 150 films Essentiels » nous permettra également de\\ndiffuser les plus grandes oeuvres dans l’ensemble du Canada pendant toute l’année 2017. Bonnes séances\\net bonnes découvertes à toutes et à tous !\\n\\n

— Piers Handling,\\n
Directeur et président du TIFF
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How appropriate that this venture should happen during the Canadian Sesquicentennial, in\\nlight of what 1967's Centennial did to awaken us to our own identity. Canada’s moving-image heritage —\\nfeatures, shorts, documentaries, animation, television, experimental works, music videos, commercials,\\nand moving-image installations — is known only partially to all of us, but we have made some of the world’s\\nmost important films in all of these areas. This programme of the Essential 150 will allow us to showcase\\nthe best films in a country-wide celebration throughout 2017. Enjoy — and discover!\\n\\n

Piers Handling,\\n
Director & CEO, TIFF\\n\\n

Canada on Screen est la rétrospective la plus ambitieuse jamais programmée. Elle permet de mettre\\nen lumière l’héritage cinématographique canadien, et c’est une grande première dans notre pays. Le\\ncontexte est d’ailleurs idéal ! Nous n’aurions en effet pas pu trouver meilleur moment que celui du 150e\\nanniversaire du Canada pour célébrer l’héritage du cinéma canadien, en prenant pour exemple les commémorations\\ndu centenaire de 1967 qui ont permis de donner une nouvelle dimension à notre identité.\\nDe l’héritage laissé par le cinéma canadien, que ce soit en matière de longs-métrages, de courts-métrages,\\nde documentaires, de films d’animation, de télévision, d’oeuvres expérimentales, de clips vidéos, de publicités\\nou encore d’installations cinématographique, nous ne connaissons finalement qu’une petite partie\\nd’un tout beaucoup plus vaste. Nous avons en effet réalisé quelques-uns des plus grands films dans\\nchacune de ces catégories. Ce programme des « 150 films Essentiels » nous permettra également de\\ndiffuser les plus grandes oeuvres dans l’ensemble du Canada pendant toute l’année 2017. Bonnes séances\\net bonnes découvertes à toutes et à tous !\\n\\n

— Piers Handling,\\n
Directeur et président du TIFF
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TIFF\\r\\n
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How appropriate that this venture should happen during the Canadian Sesquicentennial, in\\nlight of what 1967's Centennial did to awaken us to our own identity. Canada’s moving-image heritage —\\nfeatures, shorts, documentaries, animation, television, experimental works, music videos, commercials,\\nand moving-image installations — is known only partially to all of us, but we have made some of the world’s\\nmost important films in all of these areas. This programme of the Essential 150 will allow us to showcase\\nthe best films in a country-wide celebration throughout 2017. Enjoy — and discover!\\n\\n

Piers Handling,\\n
Director & CEO, TIFF\\n\\n

Canada on Screen est la rétrospective la plus ambitieuse jamais programmée. Elle permet de mettre\\nen lumière l’héritage cinématographique canadien, et c’est une grande première dans notre pays. Le\\ncontexte est d’ailleurs idéal ! Nous n’aurions en effet pas pu trouver meilleur moment que celui du 150e\\nanniversaire du Canada pour célébrer l’héritage du cinéma canadien, en prenant pour exemple les commémorations\\ndu centenaire de 1967 qui ont permis de donner une nouvelle dimension à notre identité.\\nDe l’héritage laissé par le cinéma canadien, que ce soit en matière de longs-métrages, de courts-métrages,\\nde documentaires, de films d’animation, de télévision, d’oeuvres expérimentales, de clips vidéos, de publicités\\nou encore d’installations cinématographique, nous ne connaissons finalement qu’une petite partie\\nd’un tout beaucoup plus vaste. Nous avons en effet réalisé quelques-uns des plus grands films dans\\nchacune de ces catégories. Ce programme des « 150 films Essentiels » nous permettra également de\\ndiffuser les plus grandes oeuvres dans l’ensemble du Canada pendant toute l’année 2017. Bonnes séances\\net bonnes découvertes à toutes et à tous !\\n\\n

— Piers Handling,\\n
Directeur et président du TIFF
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\\r\\nMagali Simard is Senior Manager of Theatrical Programming and the Canada Programmer at TIFF, where she works on New Releases, TIFF Cinematheque, and ongoing series. Simard contributed film notes to the TIFF publication Toronto on Film, and has written for local online publications. She has been a jury member for the Alberta Film and Television Awards since 2009, was on the short film jury for the 2010 Outfest in Los Angeles, acted as a guest programmer for the 2011 Perceides Festival, and served on the jury for the 2012 Berlinale Teddy Awards. 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\\r\\nKathleen McInnis specializes in developing unique business strategies for world cinema filmmakers on the film festival circuit. Under the banner of her film publicity & festival strategies consulting company, See–Through Films, LLC, McInnis and her team represent world cinema films at festivals worldwide such as Sundance, Berlin, Karlovy Vary, and Toronto. McInnis is also a Short Cuts Programmer at Toronto International Film Festival, and Director of Programming at Aspen ShortFest. McInnis has previously been the Festival Director at Palm Springs ShortFest, Festival Director at Slamdance Film Festival, and Lead Programmer/Director of Industry Programming at Seattle International Film Festival. McInnis has served on film festival juries and panels worldwide, as well as a mentor for International Film Festival Rotterdam's CineMart, and an industry participant at Berlinale Talents.

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How appropriate that this venture should happen during the Canadian Sesquicentennial, in\\nlight of what 1967's Centennial did to awaken us to our own identity. Canada’s moving-image heritage —\\nfeatures, shorts, documentaries, animation, television, experimental works, music videos, commercials,\\nand moving-image installations — is known only partially to all of us, but we have made some of the world’s\\nmost important films in all of these areas. This programme of the Essential 150 will allow us to showcase\\nthe best films in a country-wide celebration throughout 2017. Enjoy — and discover!\\n\\n

Piers Handling,\\n
Director & CEO, TIFF\\n\\n

Canada on Screen est la rétrospective la plus ambitieuse jamais programmée. Elle permet de mettre\\nen lumière l’héritage cinématographique canadien, et c’est une grande première dans notre pays. Le\\ncontexte est d’ailleurs idéal ! Nous n’aurions en effet pas pu trouver meilleur moment que celui du 150e\\nanniversaire du Canada pour célébrer l’héritage du cinéma canadien, en prenant pour exemple les commémorations\\ndu centenaire de 1967 qui ont permis de donner une nouvelle dimension à notre identité.\\nDe l’héritage laissé par le cinéma canadien, que ce soit en matière de longs-métrages, de courts-métrages,\\nde documentaires, de films d’animation, de télévision, d’oeuvres expérimentales, de clips vidéos, de publicités\\nou encore d’installations cinématographique, nous ne connaissons finalement qu’une petite partie\\nd’un tout beaucoup plus vaste. Nous avons en effet réalisé quelques-uns des plus grands films dans\\nchacune de ces catégories. Ce programme des « 150 films Essentiels » nous permettra également de\\ndiffuser les plus grandes oeuvres dans l’ensemble du Canada pendant toute l’année 2017. Bonnes séances\\net bonnes découvertes à toutes et à tous !\\n\\n

— Piers Handling,\\n
Directeur et président du TIFF
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Piers Handling,\\n
Director & CEO, TIFF\\n\\n

Canada on Screen est la rétrospective la plus ambitieuse jamais programmée. Elle permet de mettre\\nen lumière l’héritage cinématographique canadien, et c’est une grande première dans notre pays. Le\\ncontexte est d’ailleurs idéal ! Nous n’aurions en effet pas pu trouver meilleur moment que celui du 150e\\nanniversaire du Canada pour célébrer l’héritage du cinéma canadien, en prenant pour exemple les commémorations\\ndu centenaire de 1967 qui ont permis de donner une nouvelle dimension à notre identité.\\nDe l’héritage laissé par le cinéma canadien, que ce soit en matière de longs-métrages, de courts-métrages,\\nde documentaires, de films d’animation, de télévision, d’oeuvres expérimentales, de clips vidéos, de publicités\\nou encore d’installations cinématographique, nous ne connaissons finalement qu’une petite partie\\nd’un tout beaucoup plus vaste. Nous avons en effet réalisé quelques-uns des plus grands films dans\\nchacune de ces catégories. Ce programme des « 150 films Essentiels » nous permettra également de\\ndiffuser les plus grandes oeuvres dans l’ensemble du Canada pendant toute l’année 2017. Bonnes séances\\net bonnes découvertes à toutes et à tous !\\n\\n

— Piers Handling,\\n
Directeur et président du TIFF
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Piers Handling,\\n
Director & CEO, TIFF\\n\\n

Canada on Screen est la rétrospective la plus ambitieuse jamais programmée. Elle permet de mettre\\nen lumière l’héritage cinématographique canadien, et c’est une grande première dans notre pays. Le\\ncontexte est d’ailleurs idéal ! Nous n’aurions en effet pas pu trouver meilleur moment que celui du 150e\\nanniversaire du Canada pour célébrer l’héritage du cinéma canadien, en prenant pour exemple les commémorations\\ndu centenaire de 1967 qui ont permis de donner une nouvelle dimension à notre identité.\\nDe l’héritage laissé par le cinéma canadien, que ce soit en matière de longs-métrages, de courts-métrages,\\nde documentaires, de films d’animation, de télévision, d’oeuvres expérimentales, de clips vidéos, de publicités\\nou encore d’installations cinématographique, nous ne connaissons finalement qu’une petite partie\\nd’un tout beaucoup plus vaste. Nous avons en effet réalisé quelques-uns des plus grands films dans\\nchacune de ces catégories. Ce programme des « 150 films Essentiels » nous permettra également de\\ndiffuser les plus grandes oeuvres dans l’ensemble du Canada pendant toute l’année 2017. Bonnes séances\\net bonnes découvertes à toutes et à tous !\\n\\n

— Piers Handling,\\n
Directeur et président du TIFF
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\\r\\nMagali Simard is Senior Manager of Theatrical Programming and the Canada Programmer at TIFF, where she works on New Releases, TIFF Cinematheque, and ongoing series. Simard contributed film notes to the TIFF publication Toronto on Film, and has written for local online publications. She has been a jury member for the Alberta Film and Television Awards since 2009, was on the short film jury for the 2010 Outfest in Los Angeles, acted as a guest programmer for the 2011 Perceides Festival, and served on the jury for the 2012 Berlinale Teddy Awards. Simard is a regular guest on Radio-Canada's French-language radio and has hosted screenings for the National Film Board, the National Screen Institute, and Ryerson University.\"}}],\"programmeShortTitle\":\"van\",\"programmeDescription\":\"\",\"programmeKey\":\"\",\"seasonId\":\"Festival 2016\",\"rank\":null,\"programmeColour\":\"13020e\"}}","{\"sys\":{\"space\":{\"sys\":{\"type\":\"Link\",\"linkType\":\"Space\",\"id\":\"22n7d68fswlw\"}},\"id\":\"AT80PS4682S6188PR596\",\"type\":\"Entry\",\"createdAt\":\"2016-11-28T20:35:26.960Z\",\"updatedAt\":\"2017-06-21T15:37:48.958Z\",\"revision\":99,\"contentType\":{\"sys\":{\"type\":\"Link\",\"linkType\":\"ContentType\",\"id\":\"programme\"}},\"locale\":\"en-CA\"},\"fields\":{\"title\":\"Canada's Top Ten Film Festival 2017-Feature Films\",\"arrangement\":\"Canada's Top Ten Film Festival\",\"season\":\"2017 Winter\",\"programmeSeries\":\"Feature 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