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Canada on Screen Digital Catalogue

150 essential moving-image works from Canada’s cinematic history. 150 œuvres essentielles qui ont marqué l’histoire du cinéma canadien. Discover. Découvrir.

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The Review

Read about all things TIFF and the art, craft, emotion, and business of cinema. Visit the essential space for film lovers.

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The original print version of the schedule; subject to change. (see schedule changes here)

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Director, TIFF Cinematheque — HOST
\\r\\n

Jesse Wente is an Ojibwe broadcaster, curator, producer, activist, and public speaker. He is Head of TIFF Cinematheque, where he oversees the historical film programme year–round at TIFF Bell Lightbox. An outspoken advocate for Indigenous rights and First Nations, Métis, and Inuit art, he has spoken at the Smithsonian’s National Museum of the American Indian, the Canadian Arts Summit, CMPA’s Prime Time, and numerous universities and colleges. Wente currently serves on the Board of Directors for both the Toronto Arts Council and the Canada Council for the Arts.

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Director, TIFF Cinematheque — HOST
\\r\\n

Jesse Wente is an Ojibwe broadcaster, curator, producer, activist, and public speaker. He is Head of TIFF Cinematheque, where he oversees the historical film programme year–round at TIFF Bell Lightbox. An outspoken advocate for Indigenous rights and First Nations, Métis, and Inuit art, he has spoken at the Smithsonian’s National Museum of the American Indian, the Canadian Arts Summit, CMPA’s Prime Time, and numerous universities and colleges. Wente currently serves on the Board of Directors for both the Toronto Arts Council and the Canada Council for the Arts.

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Director, TIFF Cinematheque — HOST
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Director, TIFF Cinematheque — HOST
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Director, TIFF Cinematheque — HOST
\\r\\n

Jesse Wente is an Ojibwe broadcaster, curator, producer, activist, and public speaker. He is Head of TIFF Cinematheque, where he oversees the historical film programme year–round at TIFF Bell Lightbox. An outspoken advocate for Indigenous rights and First Nations, Métis, and Inuit art, he has spoken at the Smithsonian’s National Museum of the American Indian, the Canadian Arts Summit, CMPA’s Prime Time, and numerous universities and colleges. Wente currently serves on the Board of Directors for both the Toronto Arts Council and the Canada Council for the Arts.

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Coinciding with the release of the new documentary_ De Palma_, TIFF Cinematheque celebrates this remarkable filmmaker with a career-spanning retrospective._\\n\\nBorn in Newark, New Jersey, De Palma studied physics at Columbia University but became obsessed with making films after seeing Alfred Hitchcock's _Vertigo_. While that initial Hitchcockian inspiration would loom large in nearly all of De Palma's work, the director's early, independently financed films — _Murder a la Mod, Greetings_, and _Hi, Mom!_, the latter two starring a pre-_Mean Streets_ Robert De Niro — also clearly display the influence of Jean-Luc Godard, in both their formal inventiveness and their political bite. Making use of all manner of available cinematic techniques — jump cuts and long takes, slow and fast motion, and, of course, his cherished split-screen effect — De Palma sets this giddy formal freedom against the grim backdrop of an America torn apart by the Vietnam war, class strife, and racial conflict. Forgoing cohesive narratives, he uses fragmented, episodic structures and conscious artifice to expose, interrogate, and critique both contemporary American society, and the film form itself.\\n\\nFollowing the critical and box-office failure of his first studio film _Get to Know Your Rabbit_ — a counterculture comedy that smothered the director's left-wing politics and formal radicalism with Hollywood convention and compromise — De Palma decisively altered his career path by seemingly embracing the commercial formats that his earlier films had reacted against. Beginning with _Sisters_ in 1973, De Palma would work almost exclusively within traditional Hollywood genres: horror and sci-fi (_Carrie, The Fury, Mission to Mars_), the rock musical (_Phantom of the Paradise_), the gangster epic (_Scarface, The Untouchables, Carlito's Way_), the war movie (_Casualties of War, Redacted_), and, most notably, the Hitchcockian psychological thriller (_Obsession, Dressed to Kill, Blow Out, Body Double, Raising Cain, Femme Fatale, Passion_). But even as he seduces audiences with familiar scenarios and character types, he then explodes those conventions from within by pushing them to their extremes — through radical stylization, outrageous narrative implausibility, and (famously) gruesome violence — and taking viewers past their limits of comfort. De Palma always implicates his viewers, forcing them to define their relationship with the film in front of them. A De Palma film always calls attention to the fact that what you're watching is just that — a film — and reminds you that, whether or not you like what you're seeing, the most important thing is how you engage with it.\\n\\nThough De Palma's oeuvre doesn't follow a clear thematic trajectory, ideas, motifs, and images repeat obsessively throughout his work; each of his films exists resolutely on its own terms, yet the more you watch, the more they all seem to be haunting each other. Rather than a straight line, think of De Palma's cinema in the shape of the spiral from the opening credits of his beloved _Vertigo_: an endlessly swirling vortex where recurring stylistic, thematic and narrative elements whirl into and out of view. And against that spiral, think of the split: the knife thrusts that slice open bodies, the doubled protagonists and fissured psyches, and that bifurcated screen which shatters the illusion of a single, immersive reality. In the cinema of Brian De Palma it is always, finally, the audience who must somehow sew that split back together.\\n\\n—**Brad Deane**\\n\\n_Thanks to Jake Perlin, The Film Desk; UCLA Film & Television Archive; Academy Film Archive._\"}}","{\"sys\":{\"space\":{\"sys\":{\"type\":\"Link\",\"linkType\":\"Space\",\"id\":\"22n7d68fswlw\"}},\"id\":\"256CHKcxNaoMcmE4EsMsMi\",\"type\":\"Entry\",\"createdAt\":\"2016-06-22T19:12:35.441Z\",\"updatedAt\":\"2016-06-22T19:12:35.441Z\",\"revision\":1,\"contentType\":{\"sys\":{\"type\":\"Link\",\"linkType\":\"ContentType\",\"id\":\"series\"}},\"locale\":\"en-CA\"},\"fields\":{\"title\":\"Hitchcock/Truffaut: Magnificent Obsessions\",\"pitch\":\"A double retrospective devoted to the Master of Suspense and his worshipful French New Wave acolyte.\",\"season\":\"2016 Summer\",\"startDate\":\"2016-07-07\",\"endDate\":\"2016-09-04\",\"note\":\"\\\"_He is not involved with life; he merely contemplates it._\\\" —Truffaut on Hitchcock\\n\\n_This immersive, summer-long survey examines the influence of Alfred Hitchcock on his brilliant Boswell, French New Wave cineaste (and cinephile extraordinaire) François Truffaut, revealing surprising affinities between the two directors' work. Featuring more than a dozen masterpieces by each of the masters, the series floods the screen with the magnificent obsessions of two of cinema's most important artists._\\n\\n\\\"Just reading the cinema reviews you sent me makes me want to be in Paris,\\\" a 13-year-old François Truffaut plaintively wrote to a friend, \\\"there seem to be a lot of good films on.\\\" While the ardent romantic and serial seducer Truffaut was, to invoke the title of one of his films, \\\"the man who loved women,\\\" he loved movies equally: as his autobiographical debut _The 400 Blows_ reveals, cinema became for Truffaut a refuge from and consolation for a childhood of emotional privation. As both a critic for _Cahiers du Cinéma_ , where he wrote the central tracts that would become known as _la politique des auteurs_, and then as a leading figure of the _nouvelle vague_ , Truffaut made cinema not just his métier but also his moral system. More than any of his New Wave confreres — Godard, Rivette, Chabrol, Rohmer (the latter also on view this summer at the Cinematheque) — he judged the world by and through the movies. Though he shared with Godard a predilection for inserting italicized homages to and borrowings from his favourite directors and writers into his own films, these were never intended as part of a radical renovation of cinematic form as in JLG: more affectionate than aggressive, these were for Truffaut acts of gratitude and evocations of a lost paradise, a very personal cultural history that ranged from Victor Hugo to David Goodis, D.W. Griffith to Frank Tashlin. And while Godard viewed aesthetic insurrection as commensurate with political revolution, for Truffaut, film pre-empted life and precluded politics; he was moved to partisan action only when Henri Langlois, the legendary founder of La Cinémathèque française, was sacked by the Minister of Culture in early 1968, sparking street protests that served as a prelude to the student uprisings of May. (One should however note the contrary contention by _The New Yorker_ 's Richard Brody that Truffaut's cinema in fact grew increasingly political after that upheaval: \\\"Many of Truffaut's films from that time [1970] reflect — or, rather, refract — the politics of the day in terms of the filmmaker's distinctive range of concerns.\\\")\\n\\nThe seemingly incompatible influences of Jean Renoir and Alfred Hitchcock shaped Truffaut's vision of cinema and of life: _The Rules of the Game_ and _Vertigo_ were both sacred texts for him, and his critical advocacy of Hitchcock in _Cahiers du Cinéma_ helped establish the Master's eternal claim to greatness. For much of Truffaut's career, his work was viewed under the sign of his French father: critics long focused on the sunny, Renoirian charm of Truffaut's cinema, and were puzzled or put off by his excursions into Hitchcock imitation (_The Bride Wore Black, Mississippi Mermaid_ ) and by his increasingly feverish morbidity in such films as _The Story of Adele H._ and _The Green Room_. That Truffaut dubbed his production company Les Films du Carrosse, after Renoir's _The Golden Coach_ (_Le Carrosse d'or_ ), appears to indicate that he was more naturally disposed to Renoir's lyrical humanism than to the stylistic calculation and moral ambiguity of Hitchcock. (Brody asserts: \\\"Where Hitchcock saw evil in metaphysical terms, Truffaut filmed it in psychological terms, as the result of childhood miseries.\\\")\\n\\nHowever, no doubt because of the revival of interest in the Hitchcock-Truffaut nexus, critical emphasis has recently shifted to accentuate (and perhaps overstate) the darkness of the latter's vision, from the emotional rawness of _The 400 Blows_ to the death-haunted romanticism of _Jules et Jim_ and _Two English Girls_ and the mayhem amid the mirth of _Confidentially Yours_. (Indeed, the number of characters who die in Truffaut's films rivals the body count in Hitchcock; _The Man Who Loved Women_ even begins with the funeral of its main character.) In this schema, even the charming, child-centred world of _Small Change_ is charged with foreboding, while the candles and tapers that proliferate in Truffaut's cinema become liturgical, funereal, and the music he lovingly recycles from old movies as much memento mori as knowing invocation (_Lost, Lost, Lost_ could be an alternative title for _The Green Room_).\\n\\nWhile the latter-day attempts to transform Truffaut into a brooding artist with a tragic vision sometimes slight the trademark irony and insouciance so apparent in his work, such pendulum swings in film criticism are inevitable, even salutary: the Truffaut that emerges, equal parts purveyor of Gallic romance and levity and poet of mortality and anguish, provides a more complex and satisfying portrait of the artist than the one we hitherto had. Though Bresson seems a more likely secret sharer for Hitchcock — both directors were Catholic metaphysicians and stylistic innovators (one immediately thinks of the brilliant \\\"feet-first\\\" opening of _Strangers on a Train_, which could have influenced the Gare de Lyon sequences in _Pickpocket_ and many similar truncated shots in _Le Diable probablement_) — Truffaut possessed profound insights into Hitchcock's art and a keen understanding of how it had influenced his own.\\n\\nIn _Hitchcock/Truffaut_, the book-length career interview he conducted with Hitch that was first published in 1967 (and whose creation is the subject of Kent Jones' recent documentary, also screening in this series), Truffaut recognized Hitchcock as one of \\\"such artists of anxiety as Kafka, Dostoevsky, and Poe,\\\" and tellingly declared that \\\"in Hitchcock's work a filmmaker is bound to find the answer to many of his own problems, including the most fundamental question of all: how to express oneself by purely visual means.\\\" Professing a deep and abiding passion for the \\\"terrifying lucidity\\\" of what he called Hitchcock's \\\"complete\\\" cinema, Truffaut pursued that precision in his own films, despite the temperamental disparity between his more nakedly confessional impulses and Hitch's highly coded and voyeuristic work. 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Director, TIFF Cinematheque — HOST
\\r\\n

Jesse Wente is an Ojibwe broadcaster, curator, producer, activist, and public speaker. He is Head of TIFF Cinematheque, where he oversees the historical film programme year–round at TIFF Bell Lightbox. An outspoken advocate for Indigenous rights and First Nations, Métis, and Inuit art, he has spoken at the Smithsonian’s National Museum of the American Indian, the Canadian Arts Summit, CMPA’s Prime Time, and numerous universities and colleges. Wente currently serves on the Board of Directors for both the Toronto Arts Council and the Canada Council for the Arts.

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Director, TIFF Cinematheque — HOST
\\r\\n

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Director, TIFF Cinematheque — HOST
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Director, TIFF Cinematheque — HOST
\\r\\n

Jesse Wente is an Ojibwe broadcaster, curator, producer, activist, and public speaker. He is Head of TIFF Cinematheque, where he oversees the historical film programme year–round at TIFF Bell Lightbox. An outspoken advocate for Indigenous rights and First Nations, Métis, and Inuit art, he has spoken at the Smithsonian’s National Museum of the American Indian, the Canadian Arts Summit, CMPA’s Prime Time, and numerous universities and colleges. Wente currently serves on the Board of Directors for both the Toronto Arts Council and the Canada Council for the Arts.

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Director, TIFF Cinematheque — HOST
\\r\\n

Jesse Wente is an Ojibwe broadcaster, curator, producer, activist, and public speaker. He is Head of TIFF Cinematheque, where he oversees the historical film programme year–round at TIFF Bell Lightbox. An outspoken advocate for Indigenous rights and First Nations, Métis, and Inuit art, he has spoken at the Smithsonian’s National Museum of the American Indian, the Canadian Arts Summit, CMPA’s Prime Time, and numerous universities and colleges. Wente currently serves on the Board of Directors for both the Toronto Arts Council and the Canada Council for the Arts.

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TIFF celebrates the Sesquicentennial with free screenings of our country's essential moving-image works throughout the year. \\r\\n\\r\\n

Le TIFF célèbre le 150e anniversaire du Canada toute l’année avec des projections gratuites mettant en vedette les œuvres cinématographiques et vidéographiques essentielles du pays.\\r\\n\\r\\n

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Director, TIFF Cinematheque — HOST
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Director, TIFF Cinematheque — HOST
\\r\\n

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\\r\\n

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Director, TIFF Cinematheque — HOST
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Director, TIFF Cinematheque — HOST
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Director, TIFF Cinematheque — HOST
\\r\\n

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Director, TIFF Cinematheque — HOST
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Director, TIFF Cinematheque — HOST
\\r\\n

Jesse Wente is an Ojibwe broadcaster, curator, producer, activist, and public speaker. He is Head of TIFF Cinematheque, where he oversees the historical film programme year–round at TIFF Bell Lightbox. An outspoken advocate for Indigenous rights and First Nations, Métis, and Inuit art, he has spoken at the Smithsonian’s National Museum of the American Indian, the Canadian Arts Summit, CMPA’s Prime Time, and numerous universities and colleges. Wente currently serves on the Board of Directors for both the Toronto Arts Council and the Canada Council for the Arts.

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Director, TIFF Cinematheque — HOST
\\r\\n

Jesse Wente is an Ojibwe broadcaster, curator, producer, activist, and public speaker. He is Head of TIFF Cinematheque, where he oversees the historical film programme year–round at TIFF Bell Lightbox. An outspoken advocate for Indigenous rights and First Nations, Métis, and Inuit art, he has spoken at the Smithsonian’s National Museum of the American Indian, the Canadian Arts Summit, CMPA’s Prime Time, and numerous universities and colleges. Wente currently serves on the Board of Directors for both the Toronto Arts Council and the Canada Council for the Arts.

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Director, TIFF Cinematheque — HOST
\\r\\n

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Director, TIFF Cinematheque — HOST
\\r\\n

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Director, TIFF Cinematheque — HOST
\\r\\n

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Director, TIFF Cinematheque — HOST
\\r\\n

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Director, TIFF Cinematheque — HOST
\\r\\n

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Director, TIFF Cinematheque — HOST
\\r\\n

Jesse Wente is an Ojibwe broadcaster, curator, producer, activist, and public speaker. He is Head of TIFF Cinematheque, where he oversees the historical film programme year–round at TIFF Bell Lightbox. An outspoken advocate for Indigenous rights and First Nations, Métis, and Inuit art, he has spoken at the Smithsonian’s National Museum of the American Indian, the Canadian Arts Summit, CMPA’s Prime Time, and numerous universities and colleges. Wente currently serves on the Board of Directors for both the Toronto Arts Council and the Canada Council for the Arts.

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TIFF celebrates the Sesquicentennial with free screenings of our country's essential moving-image works throughout the year. \\r\\n\\r\\n

Le TIFF célèbre le 150e anniversaire du Canada toute l’année avec des projections gratuites mettant en vedette les œuvres cinématographiques et vidéographiques essentielles du pays.\\r\\n\\r\\n

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Director, TIFF Cinematheque — HOST
\\r\\n

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Director, TIFF Cinematheque — HOST
\\r\\n

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Director, TIFF Cinematheque — HOST
\\r\\n

Jesse Wente is an Ojibwe broadcaster, curator, producer, activist, and public speaker. He is Head of TIFF Cinematheque, where he oversees the historical film programme year–round at TIFF Bell Lightbox. An outspoken advocate for Indigenous rights and First Nations, Métis, and Inuit art, he has spoken at the Smithsonian’s National Museum of the American Indian, the Canadian Arts Summit, CMPA’s Prime Time, and numerous universities and colleges. Wente currently serves on the Board of Directors for both the Toronto Arts Council and the Canada Council for the Arts.

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International Programmer, Toronto International Film Festival — HOST
\\r\\n

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Director, TIFF Cinematheque — HOST
\\r\\n

Jesse Wente is an Ojibwe broadcaster, curator, producer, activist, and public speaker. He is Head of TIFF Cinematheque, where he oversees the historical film programme year–round at TIFF Bell Lightbox. An outspoken advocate for Indigenous rights and First Nations, Métis, and Inuit art, he has spoken at the Smithsonian’s National Museum of the American Indian, the Canadian Arts Summit, CMPA’s Prime Time, and numerous universities and colleges. Wente currently serves on the Board of Directors for both the Toronto Arts Council and the Canada Council for the Arts.

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Director, TIFF Cinematheque — HOST
\\r\\n

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TIFF celebrates the Sesquicentennial with free screenings of our country's essential moving-image works throughout the year. \\r\\n\\r\\n

Le TIFF célèbre le 150e anniversaire du Canada toute l’année avec des projections gratuites mettant en vedette les œuvres cinématographiques et vidéographiques essentielles du pays.\\r\\n\\r\\n

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Director, TIFF Cinematheque — HOST
\\r\\n

Jesse Wente is an Ojibwe broadcaster, curator, producer, activist, and public speaker. He is Head of TIFF Cinematheque, where he oversees the historical film programme year–round at TIFF Bell Lightbox. An outspoken advocate for Indigenous rights and First Nations, Métis, and Inuit art, he has spoken at the Smithsonian’s National Museum of the American Indian, the Canadian Arts Summit, CMPA’s Prime Time, and numerous universities and colleges. Wente currently serves on the Board of Directors for both the Toronto Arts Council and the Canada Council for the Arts.

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Director, TIFF Cinematheque — HOST
\\r\\n

Jesse Wente is an Ojibwe broadcaster, curator, producer, activist, and public speaker. He is Head of TIFF Cinematheque, where he oversees the historical film programme year–round at TIFF Bell Lightbox. An outspoken advocate for Indigenous rights and First Nations, Métis, and Inuit art, he has spoken at the Smithsonian’s National Museum of the American Indian, the Canadian Arts Summit, CMPA’s Prime Time, and numerous universities and colleges. Wente currently serves on the Board of Directors for both the Toronto Arts Council and the Canada Council for the Arts.

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Director, TIFF Cinematheque — HOST
\\r\\n

Jesse Wente is an Ojibwe broadcaster, curator, producer, activist, and public speaker. He is Head of TIFF Cinematheque, where he oversees the historical film programme year–round at TIFF Bell Lightbox. An outspoken advocate for Indigenous rights and First Nations, Métis, and Inuit art, he has spoken at the Smithsonian’s National Museum of the American Indian, the Canadian Arts Summit, CMPA’s Prime Time, and numerous universities and colleges. Wente currently serves on the Board of Directors for both the Toronto Arts Council and the Canada Council for the Arts.

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Director, TIFF Cinematheque — HOST
\\r\\n

Jesse Wente is an Ojibwe broadcaster, curator, producer, activist, and public speaker. He is Head of TIFF Cinematheque, where he oversees the historical film programme year–round at TIFF Bell Lightbox. An outspoken advocate for Indigenous rights and First Nations, Métis, and Inuit art, he has spoken at the Smithsonian’s National Museum of the American Indian, the Canadian Arts Summit, CMPA’s Prime Time, and numerous universities and colleges. Wente currently serves on the Board of Directors for both the Toronto Arts Council and the Canada Council for the Arts.

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Director, TIFF Cinematheque — HOST
\\r\\n

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Director, TIFF Cinematheque — HOST
\\r\\n

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Director, TIFF Cinematheque — HOST
\\r\\n

Jesse Wente is an Ojibwe broadcaster, curator, producer, activist, and public speaker. He is Head of TIFF Cinematheque, where he oversees the historical film programme year–round at TIFF Bell Lightbox. An outspoken advocate for Indigenous rights and First Nations, Métis, and Inuit art, he has spoken at the Smithsonian’s National Museum of the American Indian, the Canadian Arts Summit, CMPA’s Prime Time, and numerous universities and colleges. Wente currently serves on the Board of Directors for both the Toronto Arts Council and the Canada Council for the Arts.

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Director, TIFF Cinematheque — HOST
\\r\\n

Jesse Wente is an Ojibwe broadcaster, curator, producer, activist, and public speaker. He is Head of TIFF Cinematheque, where he oversees the historical film programme year–round at TIFF Bell Lightbox. An outspoken advocate for Indigenous rights and First Nations, Métis, and Inuit art, he has spoken at the Smithsonian’s National Museum of the American Indian, the Canadian Arts Summit, CMPA’s Prime Time, and numerous universities and colleges. Wente currently serves on the Board of Directors for both the Toronto Arts Council and the Canada Council for the Arts.

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Director, TIFF Cinematheque — HOST
\\r\\n

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Director, TIFF Cinematheque — HOST
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Director, TIFF Cinematheque — HOST
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Director, TIFF Cinematheque — HOST
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Director, TIFF Cinematheque — HOST
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Director, TIFF Cinematheque — HOST
\\r\\n

Jesse Wente is an Ojibwe broadcaster, curator, producer, activist, and public speaker. He is Head of TIFF Cinematheque, where he oversees the historical film programme year–round at TIFF Bell Lightbox. An outspoken advocate for Indigenous rights and First Nations, Métis, and Inuit art, he has spoken at the Smithsonian’s National Museum of the American Indian, the Canadian Arts Summit, CMPA’s Prime Time, and numerous universities and colleges. Wente currently serves on the Board of Directors for both the Toronto Arts Council and the Canada Council for the Arts.

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Director, TIFF Cinematheque — HOST
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Director, TIFF Cinematheque — HOST
\\r\\n

Jesse Wente is an Ojibwe broadcaster, curator, producer, activist, and public speaker. He is Head of TIFF Cinematheque, where he oversees the historical film programme year–round at TIFF Bell Lightbox. An outspoken advocate for Indigenous rights and First Nations, Métis, and Inuit art, he has spoken at the Smithsonian’s National Museum of the American Indian, the Canadian Arts Summit, CMPA’s Prime Time, and numerous universities and colleges. Wente currently serves on the Board of Directors for both the Toronto Arts Council and the Canada Council for the Arts.

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Director, TIFF Cinematheque — HOST
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Director, TIFF Cinematheque — HOST
\\r\\n

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Director, TIFF Cinematheque — HOST
\\r\\n

Jesse Wente is an Ojibwe broadcaster, curator, producer, activist, and public speaker. He is Head of TIFF Cinematheque, where he oversees the historical film programme year–round at TIFF Bell Lightbox. An outspoken advocate for Indigenous rights and First Nations, Métis, and Inuit art, he has spoken at the Smithsonian’s National Museum of the American Indian, the Canadian Arts Summit, CMPA’s Prime Time, and numerous universities and colleges. Wente currently serves on the Board of Directors for both the Toronto Arts Council and the Canada Council for the Arts.

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Director, TIFF Cinematheque — HOST
\\r\\n

Jesse Wente is an Ojibwe broadcaster, curator, producer, activist, and public speaker. He is Head of TIFF Cinematheque, where he oversees the historical film programme year–round at TIFF Bell Lightbox. An outspoken advocate for Indigenous rights and First Nations, Métis, and Inuit art, he has spoken at the Smithsonian’s National Museum of the American Indian, the Canadian Arts Summit, CMPA’s Prime Time, and numerous universities and colleges. Wente currently serves on the Board of Directors for both the Toronto Arts Council and the Canada Council for the Arts.

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Director, TIFF Cinematheque — HOST
\\r\\n

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Director, TIFF Cinematheque — HOST
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Director, TIFF Cinematheque — HOST
\\r\\n

Jesse Wente is an Ojibwe broadcaster, curator, producer, activist, and public speaker. He is Head of TIFF Cinematheque, where he oversees the historical film programme year–round at TIFF Bell Lightbox. An outspoken advocate for Indigenous rights and First Nations, Métis, and Inuit art, he has spoken at the Smithsonian’s National Museum of the American Indian, the Canadian Arts Summit, CMPA’s Prime Time, and numerous universities and colleges. Wente currently serves on the Board of Directors for both the Toronto Arts Council and the Canada Council for the Arts.

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Director, TIFF Cinematheque — HOST
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Director, TIFF Cinematheque — HOST
\\r\\n

Jesse Wente is an Ojibwe broadcaster, curator, producer, activist, and public speaker. He is Head of TIFF Cinematheque, where he oversees the historical film programme year–round at TIFF Bell Lightbox. An outspoken advocate for Indigenous rights and First Nations, Métis, and Inuit art, he has spoken at the Smithsonian’s National Museum of the American Indian, the Canadian Arts Summit, CMPA’s Prime Time, and numerous universities and colleges. Wente currently serves on the Board of Directors for both the Toronto Arts Council and the Canada Council for the Arts.

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Director of Programming, Toronto International Film Festival – HOST
\\r\\n

Kerri Craddock joined TIFF in 2007 and is the Director of Programming for the Toronto International Film Festival. Craddock selects films from Western Europe, Turkey and the USA, and programmes for the Gala and Special Presentations sections, as well as supporting the Platform section. She regularly represents the organization at the Sundance, Berlin and Cannes film festivals, serves on juries for feature and documentary films, and speaks on industry panels. She served the Canada’s Top Ten Film Festival features panel in 2012, and on the National Ballet of Canada’s Turnout Cabinet from 2011 to 2014.\\r

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Director, TIFF Cinematheque — HOST
\\r\\n

Jesse Wente is an Ojibwe broadcaster, curator, producer, activist, and public speaker. He is Head of TIFF Cinematheque, where he oversees the historical film programme year–round at TIFF Bell Lightbox. An outspoken advocate for Indigenous rights and First Nations, Métis, and Inuit art, he has spoken at the Smithsonian’s National Museum of the American Indian, the Canadian Arts Summit, CMPA’s Prime Time, and numerous universities and colleges. Wente currently serves on the Board of Directors for both the Toronto Arts Council and the Canada Council for the Arts.

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Director, TIFF Cinematheque — HOST
\\r\\n

Jesse Wente is an Ojibwe broadcaster, curator, producer, activist, and public speaker. He is Head of TIFF Cinematheque, where he oversees the historical film programme year–round at TIFF Bell Lightbox. An outspoken advocate for Indigenous rights and First Nations, Métis, and Inuit art, he has spoken at the Smithsonian’s National Museum of the American Indian, the Canadian Arts Summit, CMPA’s Prime Time, and numerous universities and colleges. Wente currently serves on the Board of Directors for both the Toronto Arts Council and the Canada Council for the Arts.

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Director, TIFF Cinematheque — HOST
\\r\\n

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Director, TIFF Cinematheque — HOST
\\r\\n

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Director, TIFF Cinematheque — HOST
\\r\\n

Jesse Wente is an Ojibwe broadcaster, curator, producer, activist, and public speaker. He is Head of TIFF Cinematheque, where he oversees the historical film programme year–round at TIFF Bell Lightbox. An outspoken advocate for Indigenous rights and First Nations, Métis, and Inuit art, he has spoken at the Smithsonian’s National Museum of the American Indian, the Canadian Arts Summit, CMPA’s Prime Time, and numerous universities and colleges. Wente currently serves on the Board of Directors for both the Toronto Arts Council and the Canada Council for the Arts.

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TIFF celebrates the Sesquicentennial with free screenings of our country's essential moving-image works throughout the year. \\r\\n\\r\\n

Le TIFF célèbre le 150e anniversaire du Canada toute l’année avec des projections gratuites mettant en vedette les œuvres cinématographiques et vidéographiques essentielles du pays.\\r\\n\\r\\n

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Director, TIFF Cinematheque — HOST
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Director, TIFF Cinematheque — HOST
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Director, TIFF Cinematheque — HOST
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Jesse Wente is an Ojibwe broadcaster, curator, producer, activist, and public speaker. He is Head of TIFF Cinematheque, where he oversees the historical film programme year–round at TIFF Bell Lightbox. An outspoken advocate for Indigenous rights and First Nations, Métis, and Inuit art, he has spoken at the Smithsonian’s National Museum of the American Indian, the Canadian Arts Summit, CMPA’s Prime Time, and numerous universities and colleges. Wente currently serves on the Board of Directors for both the Toronto Arts Council and the Canada Council for the Arts.

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Director, TIFF Cinematheque — HOST
\\r\\n

Jesse Wente is an Ojibwe broadcaster, curator, producer, activist, and public speaker. He is Head of TIFF Cinematheque, where he oversees the historical film programme year–round at TIFF Bell Lightbox. An outspoken advocate for Indigenous rights and First Nations, Métis, and Inuit art, he has spoken at the Smithsonian’s National Museum of the American Indian, the Canadian Arts Summit, CMPA’s Prime Time, and numerous universities and colleges. Wente currently serves on the Board of Directors for both the Toronto Arts Council and the Canada Council for the Arts.

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Director, TIFF Cinematheque — HOST
\\r\\n

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Director, TIFF Cinematheque — HOST
\\r\\n

Jesse Wente is an Ojibwe broadcaster, curator, producer, activist, and public speaker. He is Head of TIFF Cinematheque, where he oversees the historical film programme year–round at TIFF Bell Lightbox. An outspoken advocate for Indigenous rights and First Nations, Métis, and Inuit art, he has spoken at the Smithsonian’s National Museum of the American Indian, the Canadian Arts Summit, CMPA’s Prime Time, and numerous universities and colleges. Wente currently serves on the Board of Directors for both the Toronto Arts Council and the Canada Council for the Arts.

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Director, TIFF Cinematheque — HOST
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Director, TIFF Cinematheque — HOST
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Director, TIFF Cinematheque — HOST
\\r\\n

Jesse Wente is an Ojibwe broadcaster, curator, producer, activist, and public speaker. He is Head of TIFF Cinematheque, where he oversees the historical film programme year–round at TIFF Bell Lightbox. An outspoken advocate for Indigenous rights and First Nations, Métis, and Inuit art, he has spoken at the Smithsonian’s National Museum of the American Indian, the Canadian Arts Summit, CMPA’s Prime Time, and numerous universities and colleges. Wente currently serves on the Board of Directors for both the Toronto Arts Council and the Canada Council for the Arts.

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Director, TIFF Cinematheque — HOST
\\r\\n

Jesse Wente is an Ojibwe broadcaster, curator, producer, activist, and public speaker. He is Head of TIFF Cinematheque, where he oversees the historical film programme year–round at TIFF Bell Lightbox. An outspoken advocate for Indigenous rights and First Nations, Métis, and Inuit art, he has spoken at the Smithsonian’s National Museum of the American Indian, the Canadian Arts Summit, CMPA’s Prime Time, and numerous universities and colleges. Wente currently serves on the Board of Directors for both the Toronto Arts Council and the Canada Council for the Arts.

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Director, TIFF Cinematheque — HOST
\\r\\n

Jesse Wente is an Ojibwe broadcaster, curator, producer, activist, and public speaker. He is Head of TIFF Cinematheque, where he oversees the historical film programme year–round at TIFF Bell Lightbox. An outspoken advocate for Indigenous rights and First Nations, Métis, and Inuit art, he has spoken at the Smithsonian’s National Museum of the American Indian, the Canadian Arts Summit, CMPA’s Prime Time, and numerous universities and colleges. Wente currently serves on the Board of Directors for both the Toronto Arts Council and the Canada Council for the Arts.

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Director, TIFF Cinematheque — HOST
\\r\\n

Jesse Wente is an Ojibwe broadcaster, curator, producer, activist, and public speaker. He is Head of TIFF Cinematheque, where he oversees the historical film programme year–round at TIFF Bell Lightbox. An outspoken advocate for Indigenous rights and First Nations, Métis, and Inuit art, he has spoken at the Smithsonian’s National Museum of the American Indian, the Canadian Arts Summit, CMPA’s Prime Time, and numerous universities and colleges. Wente currently serves on the Board of Directors for both the Toronto Arts Council and the Canada Council for the Arts.

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Director, TIFF Cinematheque — HOST
\\r\\n

Jesse Wente is an Ojibwe broadcaster, curator, producer, activist, and public speaker. He is Head of TIFF Cinematheque, where he oversees the historical film programme year–round at TIFF Bell Lightbox. An outspoken advocate for Indigenous rights and First Nations, Métis, and Inuit art, he has spoken at the Smithsonian’s National Museum of the American Indian, the Canadian Arts Summit, CMPA’s Prime Time, and numerous universities and colleges. Wente currently serves on the Board of Directors for both the Toronto Arts Council and the Canada Council for the Arts.

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Director, TIFF Cinematheque — HOST
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Jesse Wente is an Ojibwe broadcaster, curator, producer, activist, and public speaker. He is Head of TIFF Cinematheque, where he oversees the historical film programme year–round at TIFF Bell Lightbox. An outspoken advocate for Indigenous rights and First Nations, Métis, and Inuit art, he has spoken at the Smithsonian’s National Museum of the American Indian, the Canadian Arts Summit, CMPA’s Prime Time, and numerous universities and colleges. Wente currently serves on the Board of Directors for both the Toronto Arts Council and the Canada Council for the Arts.

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Director, TIFF Cinematheque — HOST
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Jesse Wente is an Ojibwe broadcaster, curator, producer, activist, and public speaker. He is Head of TIFF Cinematheque, where he oversees the historical film programme year–round at TIFF Bell Lightbox. An outspoken advocate for Indigenous rights and First Nations, Métis, and Inuit art, he has spoken at the Smithsonian’s National Museum of the American Indian, the Canadian Arts Summit, CMPA’s Prime Time, and numerous universities and colleges. Wente currently serves on the Board of Directors for both the Toronto Arts Council and the Canada Council for the Arts.

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Director, TIFF Cinematheque — HOST
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Director, TIFF Cinematheque — HOST
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Director, TIFF Cinematheque — HOST
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Director, TIFF Cinematheque — HOST
\\r\\n

Jesse Wente is an Ojibwe broadcaster, curator, producer, activist, and public speaker. He is Head of TIFF Cinematheque, where he oversees the historical film programme year–round at TIFF Bell Lightbox. An outspoken advocate for Indigenous rights and First Nations, Métis, and Inuit art, he has spoken at the Smithsonian’s National Museum of the American Indian, the Canadian Arts Summit, CMPA’s Prime Time, and numerous universities and colleges. Wente currently serves on the Board of Directors for both the Toronto Arts Council and the Canada Council for the Arts.

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Director, TIFF Cinematheque — HOST
\\r\\n

Jesse Wente is an Ojibwe broadcaster, curator, producer, activist, and public speaker. He is Head of TIFF Cinematheque, where he oversees the historical film programme year–round at TIFF Bell Lightbox. An outspoken advocate for Indigenous rights and First Nations, Métis, and Inuit art, he has spoken at the Smithsonian’s National Museum of the American Indian, the Canadian Arts Summit, CMPA’s Prime Time, and numerous universities and colleges. Wente currently serves on the Board of Directors for both the Toronto Arts Council and the Canada Council for the Arts.

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Director, TIFF Cinematheque — HOST
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Director, TIFF Cinematheque — HOST
\\r\\n

Jesse Wente is an Ojibwe broadcaster, curator, producer, activist, and public speaker. He is Head of TIFF Cinematheque, where he oversees the historical film programme year–round at TIFF Bell Lightbox. An outspoken advocate for Indigenous rights and First Nations, Métis, and Inuit art, he has spoken at the Smithsonian’s National Museum of the American Indian, the Canadian Arts Summit, CMPA’s Prime Time, and numerous universities and colleges. Wente currently serves on the Board of Directors for both the Toronto Arts Council and the Canada Council for the Arts.

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Director, TIFF Cinematheque — HOST
\\r\\n

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Director, TIFF Cinematheque — HOST
\\r\\n

Jesse Wente is an Ojibwe broadcaster, curator, producer, activist, and public speaker. He is Head of TIFF Cinematheque, where he oversees the historical film programme year–round at TIFF Bell Lightbox. An outspoken advocate for Indigenous rights and First Nations, Métis, and Inuit art, he has spoken at the Smithsonian’s National Museum of the American Indian, the Canadian Arts Summit, CMPA’s Prime Time, and numerous universities and colleges. Wente currently serves on the Board of Directors for both the Toronto Arts Council and the Canada Council for the Arts.

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